![]() It’s not unusual to have to edit 1,000+ images over the course of a week, maybe more if you’re shooting back-to-back sessions. As well as eating into precious profits, there’s something that’s never felt quite right about completely letting go of the control of how my final images will look, and how they’re presented to my clients. But, for me, it’s never felt appropriate. Sure, there are plenty of places offering post-production services and if you’re more interesting shooting and spending time in the field with your clients there’s no shame in this. No matter how many shortcuts are memorised, or workflow systems tweaked it always feels like the image-editing process is never fast enough. The season always starts with great intentions to keep on top of the workload, but it’s not very long before my left eye starts gets the overtired floating blur and RSI sets in. Working as a professional wedding photographer the “ wediting” churn throughout mid to late summer can get really overwhelming. But something’s not right and it just doesn’t have the punch you pictured when you were shooting it. ![]() ![]() Technically, your photo is sound, the exposure is spot on, the composition is solid and you’ve worked hard to get the lighting just right. Best Adobe Lightroom presets for photographers Emma Davenport rounds up some of the best options available for photographers tackling their post-processing. A great Lightroom Preset not only gives an image a new lease of life and can raise its quality to the next level, but it can also drastically speed up your workflow.
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